Release Date:  July 18, 2008

Before watching the screen version of Mamma Mia!, it would have been hard to imagine any way to make the music from the singing group ABBA seem boring. The famous pop-rock group, popular in the 1970s and early '80s, has some of pop music’s most memorable and infectious tunes in its catalog. Everyone knows, and most love the band’s hits such as “Dancing Queen” and “S.O.S.” Yet suffering through Meryl Streep’s and Pierce Brosnan’s failed attempts to deliver these upbeat ABBA standards has changed my mind.

Based on the stage musical by the same name, Mamma Mia! tells the story of Sophie (Amanda Seyfried), the daughter of a small hotel owner, who lives on an isolated Greek island. Her unmarried mother Donna (Meryl Streep) has never revealed to her the identity of Sophie’s dad. Now on the eve of Sophie’s wedding, having discovered her mother’s old diary, Sophie narrows the list to three possibles from her mother’s past (played by Pierce Brosnan, Stellan Skarsgard, Colin Firth). And unbeknownst to Donna, Sophie invites them all to her wedding. “High jinks ensue” as the three former beaus show up at her hotel, thinking that Donna is actually the one who invited them. Unfortunately Donna doesn’t really know which of the three men is Sophie’s father either. Apparently she slept with all three of them around the same time.

But the film’s plot doesn’t seem to matter much, functioning simply as a device to string together a bunch of beloved ABBA songs. This was not the case with the stage version of Mamma Mia!, a fabulous musical should you ever get the opportunity to see it on stage. Two of ABBA’s four original members, the talented Benny Andersson and Björn Ulvaeus, were involved in creating Mamma Mia! from their popular songs.

Yet Mamma Mia! the movie suffers from horrible casting that almost completely derails the film. Rather than cast singers who can also act, filmmakers instead went with famous actors whose singing abilities range from mediocre to downright awful. No true fan of the music will appreciate how the songs are handled here. If star power is so important to a getting film like this made, why not dub in voices of actual singers when it comes time to belt out a tune? And while most of the actors here have work on their resumes they can be extremely proud of, in Mamma Mia! they stumble through their roles playing weakly written characters that aren’t terribly likeable.