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  • Chris Taylor: Take Me Anywhere
    Dr. Tony Shore
    Chris Taylor’s Take Me Anywhere is a swirling and beautiful mix of progressive pop and artistic modern worship. The lyrics are sincere...
  • Hillsong United: The Heart Revolution: With Hearts as One
    Andree Farias
    This two-disc set is a true-to-form representation of what one encounters in the thick of a sweaty, hand-raising mosh pit at a United...
  • Jared Anderson: Where Faith Comes From
    Caroline Lusk
    If Jared Anderson wanted his audience to figure out where his faith comes from by listening to his latest project of that very title,...
  • Delirious: Kingdom of Comfort
    David McCreary
    After more than two years without a new studio project, veteran British rock/worship outfit Delirious extends its relevance on the...
  • CeCe Winans: Thy Kingdom Come
    Andy Argyrakis
    Though rumors persist of a BeBe & CeCe Winans reunion, the latter of the powerful pair remains in solo ranks (at least for the time...
  • Sarah Kelly: Born to Worship
    Caroline Lusk
    Sarah Kelly’s latest effort successfully combines familiar concepts with unexpected melodies, arrangements and production, while maintaining...
  • Hawk Nelson: Hawk Nelson is My Friend
    Lizza Connor Bowen
    Listening to Hawk Nelson’s third studio CD, Hawk Nelson Is My Friend, is the sonic equivalent to running a marathon, or more aptly,...

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The Afters
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The Afters

Think of the career trajectory of Switchfoot: If you need a reference point for the musical progress of The Afters from the band’s debut to the follow-up, Never Going Back To OK, that’s a good place to start. Just as Jon Foreman and company moved from the fun and formulaic radio rock of their early days to the creative musical force they’ve shown themselves to be, so The Afters seem to be headed in the same impressive direction.
“The Secret Parade” establishes new levels of musicianship, cohesion, production and experimentation from the outset. Familiar trends follow with a title track that could easily be an outtake from the debut. Still, “We Are The Sound” and “Falling Into Place” maintain the buoyant spirit amidst new and uncharted sonic waters. The result is an edgier band that manages to maintain secure melodic footing.
The band speaks of obvious spiritual themes on Never Going Back To OK, but it’s clear there’s a musical statement being played just as loud as the lyrics. The Afters seemed to hold all the right cards after a stellar debut, and this album is better in every way.
Their video for "Myspace Girl" premiered on Myspace and Seventeen.com last week and will appear on CCM this week.

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